painted

Tilted press forms

Exploring material vitality. I want to be disinterested, to view these material constructions, to take their material presence, their posture, the vitality inherent in their structure and see where they sit. To allow them to be practically nothing and vitally present.

Edition

 

Left, Right, Left

Right to Left symbolises a time of inner frustration – moving in all directions without getting anywhere. Yet even when stuck inside a box there is still space to move and look beyond.

Catalogue Number: 050

Five

Five is representative of family; its connections and inter-dependencies and its fragile suspension in time.

Catalogue Number: 058

Paul Brent The Jester II

The Jester II


Stainless Steel

Ionas Kaltenbach Still Angles

Still Angles


Hessian, wood, beeswax

Roger Head High Court

High Court

Wooden Marquette for corten steel sculpture. Completed as part of Honors final year at NAS. A modified U-shaped armature is tipped on it’s side, producing a small formal modern piece.

Roger Head Colorblind

Colorblind

Exercise in construction completed in NAS Hons. Formal architectural construction, consisting of a modified post and lintel. Edition of colour – enhance or detract?

Jenny Green Life Lines

Life Lines

Life Lines reflects on relationships, commitment and companionship; lives and experiences shared. Stainless steel rod forms the figures while the voids reveal life’s context, the world around us.

Jenny Green The Sentinel

The Sentinel


Painted aluminium

Jenny Green Let s Dance

Let’s Dance

Musical, harmonious, melodic, expressive, emotional! Steel turns to music and song
Painted Steel

Philippa Graham Trust
Winner

Trust

The Sculptors Society Prize indoor work – Sculpture on the Farm 2018

Philippa Graham

Painted Timber

Ionas Kaltenbach Twisted

Twisted

Twisted is about freeing up rigidity.
Steel

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