Delivery advice for purchasers: Pack and send.
Installation advice for purchasers: Place and enjoy.
131: Inge King
Reflection EE1/3 | 2007 – 2023
$5,000
| Weight | 4 kg |
|---|---|
| Dimensions | 9 cm × 9 cm × 11 cm |
| Filter Medium | Stainless steel |
| Medium | |
| Edition Type | Estate Edition 1 of 3 |
| Catalogue number | 131 |
| Location |
Inge King’s Ring Sculptures are celebrated as the culmination of her long, illustrious career. Inspired by images of the cosmos taken by the Hubble Space Telescope, Rings dominated her work from 2003-2014.
Maquettes were cast in bronze and select works were then enlarged in stainless steel. Her dramatic Rings of Saturn at the entrance to Heide Museum of Modern Art is a most striking example.
In 2023, to honour these works, King’s daughters selected several maquettes from their personal collection to be fabricated posthumously in stainless steel by Inge’s expert fabricator. Each sculpture in this exhibition is one of an edition of three, plus an Estate Proof.
These small, stainless steel works, noted for their grace and elegance, present King’s monumental works on an intimate scale.
Delivery advice for purchasers: Pack and send.
Installation advice for purchasers: Place and enjoy.
To : Sculpture on the Farm
Reflection EE1/3 | 2007 - 2023 Sculptor Bio
Inge King
Inge King (1915 – 2016)
Born in Berlin in 1915, Inge left Germany for London in mid-1939. She studied first at the Royal Academy in London and then at the Glasgow School of Art. In 1947, Inge moved to the Abbey Art Centre, an artists’ community near London, where she met her future husband, Australian painter/print maker, Grahame King.
In early 1951, the Kings arrived in Melbourne where they were to work and live for the remainder of their long lives. While it was challenging for Inge to adjust to Australia’s culturally staid, conservative environment, the house the Kings’ built in bushy Warrandyte and the birth of their children provided a degree of stability after the tumultuous war years. These early works saw Inge at the fore-front of the development of non-figurative sculpture in Australia. She was also a founding member of the renown Centre 5 group of sculptors, whose aim was to “help foster greater public awareness of contemporary sculpture in Australia”.
Over the decades King’s sculptural vision and style evolved and changed. She abandoned the black painted boulder-like structures of the 1960’s for steel ground by hand. Rough steel sheets gradually transformed into precise, sleek, elegant curves culminating in her iconic, monumental wave-like sculpture, Forward Surge, situated in the arts precinct in St Kilda Road. This Melbourne landmark encapsulates her notion that sculpture should be interactive, and she took much pleasure in watching families picnic in its shade and children roller-blade on the curved surfaces.
Flight and movement have always fascinated King, and assemblage (3-dimensional elements projecting out) enabled her to let forms be air-borne, balance shapes or anchor them precariously. Many of King’s large-scale works are found in public spaces and on university campuses around Australia.
Galleries
Every major gallery in Australia owns one or more of her sculptures and she has work in the UK, USA and Germany. King was made a Member of the Order of Australia (AM) in January 1984 and was given the Visual Arts Emeritus Award in recognition of her central role in raising the profile of modern sculpture in Australia.
