large
Inspired by the idiom ‘stretching the imagination’, large hands stretch a face into a broad smile. Views through spaces in eye sockets and cheeks spark imagination. The surface is rounded and tactile.
I try to suggest movement and potential. Not fixed, able to move on and out. I enjoy working at this scale. It feels good.
Welded and bolted steel sculpture.
Made from 1800’s steel, to encourage governments and the people to buy Australian.
Joanne was my first non-geometric large sculpture. Sculpture on the Farm 2018 Dungog.
Stainless Steel and Painted Steel.
Curiosity prompts discovery, as we embark on a Voyage of poetic form captured in natural sculpted materials.
We once worshipped idols and got told not to. It couldn’t have been any worse than what we do now.
Bronze and timer.
These works explore the connection between women and clay, through their swollen belly’s, dimpled curves and stretch mark narratives I want to celebrate this connection.
Looking in the garden early one morning I observed some snails “hurrying” to their hiding place out of the hot sun.
CorTen Steel