2019
We live in a Narcissistic era. But unlike Narcissus who had to wander into the forest to find his pool, we all have our own private mobile pool bathing us in its intoxicating warm glow.
Catalogue Number: 028
This timber was salvaged from the burn pile of John Olsen’s old residence in the Southern Highlands. The helix, perfectly intertwined, holding instructions for us to develop, survive and reproduce.
Catalogue Number: 029
Landscape art is long-lasting, low maintenance and does not require water or sunlight.
Catalogue Number: 030
Green Moss – the bright green in the torso reminds me of moss – a gentle garden.
Catalogue Number: 32
Cut, welded, inflated, painted, stropped, strapped, dropped.
Catalogue Number: 033
This work represents the beginning of the discovery of the inflated steel process and the new directions and possibilities ahead.
Catalogue Number: 034
In this work I was interested in exploring how the conscious and subconscious influence the creativity process.
Catalogue Number: 036
Considering the cultural significance of the oar is to recognise the preservation of life. Guardians, like presence of seven transoceanic timber forms honours the memory of life hanging in the balance.
Catalogue Number: 037
“Throughout my career I have been fascinated by flight… My angels are an ode to life. Some are serious, others are humorous – the Moor’s last laugh.”
Catalogue Number: 022