2019
Considering the cultural significance of the oar is to recognise the preservation of life. Guardians, like presence of seven transoceanic timber forms honours the memory of life hanging in the balance.
Catalogue Number: 037
“Throughout my career I have been fascinated by flight… My angels are an ode to life. Some are serious, others are humorous – the Moor’s last laugh.”
Catalogue Number: 022
You are a child of the universe no less than the trees and the stars. Desiderata, Max Ehrmann – $700 each.
Catalogue Number: 038
In “The Vision” people are staring at something in the sky. In the past it would have been an angel or a saint. Today it may be a UFO.
Catalogue Number: 023
The work is analogous to the unresolved tensions between notions of progress and respectful relations with the natural world.
Catalogue Number: 039
This work infers an ambiguity between shadow and reflection. The shadow is a projection of the person’s double, or, according to Jungian theory ‘the dark side of the self’.
Catalogue Number: 024
Celebrating the beauty and variety of native birds we may encounter in the bush, I have featured a pair of Cockatiels and a pair of Rosellas. These panels are for sale individually – $1,150 each.
Catalogue Number: 040
The timber was reclaimed from John Olsen’s old abode. Together they form form an unbreakable link. Forever conjoined in an embrace, navigating twists and turns of this chaotic place.
Catalogue Number: 105
Are they tall hills with trees on top or exaggerated trunks with small branches? This trio of trees, forms a proud, richly textured guard of honour.
Catalogue Number: 106
Inspired by the tradition in art of rendering of a “kiss” from Klimt, Besos embodies a depiction of longing and reconciliation. Man afloat alone on the sea of time is anchored in togetherness.
Catalogue Number: 107
This work represents the loving bond of a mother and her child. Whilst the negative space between the two forms may divide them, they will always remain connected.
Catalogue Number: 108