Rosemary Reynolds explores the idea of the gift in its ultimate form when one’s body, after life, is donated to medical science for understanding and further knowledge. Her forms attempt to create empathy with their textures and materials. She explores ideas of connection and absence within her works She enjoys experimenting with different media including paper, felt and bronze. Rosemary Reynolds completed a BFA (Hons 1) at Newcastle University in 2017. Her work has been exhibited from 2014 – 2018 in the galleries of : Acrux (2016,2017); Contemporary North (2015,2015); Timeless Textiles (2015); The University Gallery (2017,2018); Watt Space (2014, 2015, 2016, 2016, 2017,2018); and in Godfrey Tanner Bar (2016) and the Anatomy Laboratory (2015-2018), University of Newcastle. Her work relates the internal body to the organic nature of our surroundings and draws these two elements together within sculpture and print. A variety of mediums are explored within her sculptures, including bronze, resin, wax, wool, paper, plastic and found materials.

A Sydney based sculptor who graduated in fine arts, majoring in sculpture and who works regularly with The Studio Sculptors Group. A member of the Workshop Arts Centre at Willoughby and a member of and regular exhibitor with the Sculptors Society. Roz has exhibited and sold many works in group shows, public and private galleries and been involved in community exhibitions plus private commissions. Her works are in the collections of Macquarie University, Greenwich Hospital, High Valley Winery, Mudgee and in private collections both in Australia and Switzerland. The wire sculptures have been a regular of her work for over 10 years now, many in the form of life size ballerinas. The bird forms are also a favourite of her smaller works.

Sandra has a vast knowledge in Art. She began practicing art in 1978, whilst studying at Gymea TAFE to learn more about art practice and to become more qualified. Securing an Art Certificate Degree and later she went on to study at the University College of NSW Fine Arts where she trained to become a qualified teacher with a Bachelor of Education Degree. Later a Diploma was awarded whilst studying over three years on the subject of Renaissance Art at the NSW Art Gallery. From the start date in 1978 Sandra has been prolific as a practicing artist. She has exhibited her work in many exhibitions, solo and also collaborative exhibitions. Open Studio exhibitions were a great success during the three years between 2010 till 2012 Sandra has now an extensive collection of art work, paintings, pastels and ceramic ready to sell.

Australian artist Sinan Revell grew up in her family’s Chinese restaurant in Newcastle. The Sydney University graduate went on into a career in the performing arts and as a vocalist with an industrial band in London. After moving to Los Angeles, Sinan returned to fine art practices. “My formative influences have had a lasting effect on recurring themes of identity, gender, the Asian diaspora as well as conceptual art. I have been working with ceramic shoes for fifteen years and still find them fascinating.” As a member of The Sculptors Society, I enjoyed exhibiting shoe themed sculptures at the Incinerator Gallery and also, at Harbour Sculpture ( 2017 ) and Wald Studio (Japan. 2018 )

Susan Dorothea White is an internationally exhibiting artist based in Sydney. She is a multidisciplinary artist and author, and produces paintings, sculpture, prints and drawings.

White’s career spans more than five decades; her solo shows include New York, Amsterdam, Cologne, Munich, Sydney, Adelaide, etc. She has represented Australia in numerous international biennales/exhibitions; her sculptures have been exhibited in USA, Japan, Germany, France, Switzerland, Italy, and The Netherlands. Significant group exhibitions include New York, 1994, Kyoto Museum 1994, 1995, 1996; Florence Biennale 2001; National Building Museum, Washington DC 1999-2004; Sapere Aude – Circuito Off, Venice Biennale (fringe exhibition), June 2013; Harbour Sculpture, Sydney 2017 (awarded First Prize Inside); Sculpture @ Bayside, Bayside Arts Festival, Sydney 2018.

Born in Adelaide in 1941, White grew up in Broken Hill. She studied full-time for 3 years, commencing at the South Australian School of Art in 1959, transferring in mid-1960 to the Julian Ashton Art School, Sydney. She held her first solo exhibition at age 20, followed by many exhibitions in Australia, and internationally since 1980. 

White is represented in the National Gallery of Australia, Hechinger Collection (Washington),…

Vera was educated in Zagreb Croatia and moved in Australia in 1972 where she continued her professional career. Vera studied and worked in stained glass in 1980’s and subsequently developed her art education travelling widely to study sculpture with artists and at exhibitions around the Mediterranean, Venice, Central Europe, Australia, and the Pacific region. Vera extended her sculpture with Tom Bass and other local artists, and over the last 15 years at the Ku-ring-gai and Willoughby arts centres where she still actively develops her sculpture, working in clay, stone, bronze and stainless steel. RECENT EXHIBITIONS: Vera has been a regular exhibitor of her works with the Sculptors Society in Sydney since 2010, recent exhibitions include: Gallery 307 in 2011, 2012, 2013 Sculptors Society Sydney exhibitions from 2012 to 2018 Darling Park The Gateway Building Circular Quay MLC Building Australia Square Angel Place The Incinerator Artspace Chatswood Chase SPECIAL AWARDS AND ACHIEVEMENTS: Northbridge Art Prize in sculpture 2011, second prize 2013, highly commended 2011 Concourse Chatswood 2016 Sculpture Society Award Darling Park exhibition Highly commended 2014 CREDENTIALS, DEGREES, DIPLOMAS, GENERAL ART…

Vivienne’s work “creates a tangible form to express the intangible” Her sculptures exhibit themes such as character, love, memories and connections – things we know and feel but can’t necessarily touch. Her sculptural explorations of how people connect with one another and their environment echoes from a background in landscape architecture which complements her public art works. This artist loves to experiment with materials to suit the means and has created works in bronze, clay, wire mesh, steel & stainless steel, resin, paperpulp and more. Her sculptures are often organic forms, stylized and with clean lines. However, intricate detailing and experiments with sound- namely music, can also be found in amongst her work. Vivienne lives and works in Sydney, Australia and is Vice President of The Sculptors Society.